Edit video
Two different jobs sit under this keyword: writing a script, and getting an already-recorded video back into script form. Aixcut covers the second one — bring your script and your footage together, arrange a first cut around the script, and see which shots are missing before you shoot the rest. If you have not written the script yet, start with the structure below.
STEP 01
Add the script as the plan and your footage as the material, and state the intended length and the message.
STEP 02
Ask Aixcut to line footage up against each section, and to flag the sections it has nothing for.
STEP 03
Decide per missing shot whether to film it, source it or generate it; then revise the script, refine the cut and export.
A readable essay and a workable script look different. A script is written to be spoken and shot: short sentences, one idea per section, and a picture decision attached to each part. A two-column version helps — what is said on one side, what is on screen on the other.
Narration usually lands somewhere around 130 to 150 words a minute for clear delivery, so treat that as a planning estimate: a 60-second video is roughly that many words of narration, which is far less than most first drafts. Set a word budget per section and cut to fit before recording rather than after.
The most valuable thing a script-to-footage pass produces is the list of sections you have no material for. That list is the shooting plan. Deciding what to do about each gap — shoot it, source it, or generate it — is cheaper before the edit than during it.
Common questions about this task, its limits and how to judge the result.
A plan for a video written to be spoken, with the narration and the picture decisions set out. It is not finished prose, and it is not the same document as a film screenplay.
Fix the length first and convert it into a word budget, outline one idea per section, write the narration to that budget, and add the picture decision for each section.
A workable outline is: hook, context, the main points in order, closing action. For a product demo the same shape becomes problem, demonstration, result, next step.
Transcribe the recording and treat the transcript as the draft script. That route is faster than rewriting from memory when the footage already exists.
This workflow expects a script and existing footage. Where a shot is missing you can decide whether to film it, source it or generate it; video generation requires membership.
Trial access follows the current workspace rules. This page separates writing a script, extracting text and editing footage by a script; confirm the live entry before use.
